Last weekend the Gaiety Theatre placed a very pointed post on social media, addressing the 50 strong audience for their Saturday matinee. It read ‘to the 50 people attending today’s matinee at the Gaiety, please allow extra time to travel as there are 24,000 people travelling to Croke Park for the hurling’. It spoke quite directly to the abandonment of the theatre and live music industry in comparison to the sports industry, by the state in the time of Covid. The Gaiety is one of Dublin’s oldest theatres, with a capacity of 1145 people. Permitting only 4% of a venue’s capacity to attend a show, when over 70% of the adult population is fully vaccinated seems excessively punitive. It could irreparable damage to live entertainment in this country.
Nevertheless I am making herculean efforts to attend whatever is on offer. To date this year I have attended ‘Cruise’ at the Duchess Theatre in London in May; ‘One Good Turn’ by Una McKevitt in the Abbey Theatre in June and ‘Rogue’ by Lee Coffey in Smock Alley Theatre. The London show was almost at capacity. The Irish shows operated at 10% capacity. Hardly ideal but it was still magical to be back in the audience in the dark, watching the shenanigans onstage.
In some welcome news I have acquired tickets to see another show in Smock Alley Theatre. I will be going to the Firedoor Theatre production of ‘God of carnage’ by Yasmina Reza in Smock Alley Theatre which is running from August 23rd to 28th.
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