I am not a fan of Samuel Beckett. There. I have said it. With the exception of ‘Waiting for Godot’ I find his work dreary, incomprehensible and stupefyingly dull. This may be more a reflection on me, and my lack of intelligence than it is on Beckett. After all the great and the good speak of the playwright in hushed, reverential terms. When I look out my window I see a massive bridge that has been named after him. That’s earned right? Or maybe he has been placed on an intellectual pedestal and to extoll his virtues is to signal ‘Yes, I too am an educated, sophisticated person?’
Why then would I go to see a French, interpretative, modern dance adaptation of ‘Endgame’?
Because I was asked to. As part of the 2021 Dublin Dance Festival, the world renowned Compagnie Maguy Marin was performing ‘May B’, over three nights in the O’Reilly Theatre. Samuel Beckett actually offered his blessing to the dance company for this interpretation.
I didn’t know what to expect. I knew my feelings about Beckett. The expression ‘French, modern-dance interpretation of Endgame by Samuel Beckett’ was chilling. But I was willing to take a chance. There was a chance that it was going to be a pleasant surprise.
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