This May bank holiday Monday sees the welcome return of the International Dublin Gay Theatre Festival, for the first time since 2019. Now in its 19th year, the pandemic of the past two years had thwarted its occurrence for two years. It’s back for the next two weeks, featuring twenty-three productions in various venues around the city. Check out the 2022 programme on http://www.gaytheatre.ie.
For my matinee viewing today I went to the Main Hall in the Teachers’ Club on Parnell Square to see a comedy double bill ‘Quarantine’ and ‘Three Queens Stuck in Dublin’.
The Minister for Housing is Darragh O’Brien. He is a member of the Fianna Fail party. Its coalition partner Fine Gael previously held this ministry. Since 2011 Fine Gael has been in power. The two parties formed a coalition after last year’s election (although a de-facto coalition existed from 2016 to 2020). The housing crisis has exploded over the past decade since Fine Gael took office. O’Brien’s predecessor was named Eoghan Murphy – a man whose picture appears next to the word ‘failure’ in my personal dictionary (https://midnightmurphy.com/2019/07/03/eoghan-murphy-a-chocolate-fireguard ) . He was an elected representative for the Dublin Bay South constituency, which is the wealthiest in the land. Fine Gael clearly has its finger on the pulse of the nation when it appointed a rich boy whose granddad Russell Murphy was a swindler accountant who fleeced his clients for hundreds of thousands, to solve the housing emergency. After the 2020 election Eoghan Murphy was relieved of ministerial duties. Some months later he decided that politics was not for him. He resigned his seat. Prompting a by-election for a parliamentary seat in the leafiest of suburbs.
Some important facts about housing in Ireland are relevant here. The cost of purchasing a house in Ireland is out of reach of people on an average wage. In Dublin, the situation is even worse. Unless you are earning a minimum of 70,000eur a year as a single person you can forget about owning your own home. This is deliberate government policy – supply has been reduced to a trickle, while prices soar to help banks and institutional investors. Meanwhile vulture funds buy up entire housing estates and apartment blocks to rent at extortionate rates to tenants. Tenants who because they are spending 50% of their available income on rent are unable to save to try to buy a property. These renters aren’t burdened with tenancy rights of any substance. Every now and then a scandal erupts, and the government pretends to act. The housing crisis continues and purchasing or renting a property in Ireland remains a national disgrace.
As the housing crisis will be front and centre of the coming by-election to replace Eoghan Murphy, I thought I’d look at some the candidates for this seat.
I received a call from a friend a couple of days before the new lockdown for Dublin was declared; asking if I’d be interested in accompanying her to the Druid Theatre production of ‘Druid Gregory’ in the grounds of Coole Park in Gort on Sunday evening. She had acquired a pair of tickets for the sold out show. I had a very brief internal debate about the wisdom of traveling West on the weekend that the capital closed up shop once again. Considering I live alone, work from home and only meet a small handful of people at a socially distanced level on any given week, my decision was easy. I was going to the theatre for only the second time since March (in August I went to see Oscar Wilde’s ‘The Happy Prince’ by Bewley’s Café Theatre in the Irish Georgian Society building on South William Street in Dublin.
Some months ago I was invited on a guided tour of Dublin being organised by a group called ‘Dublin Decoded’. I didn’t investigate the event too much. As the people who invited me have impeccable taste, and I’m weak for guided tours, I suspected I would be in safe hands. Well yesterday was the date of the event. I glanced at the ticket. It was called ‘Dublin’s Great Lovers and Romantics: A walking tour of art and of history’, which seemed appropriate given that Valentine’s Day had occurred a couple of days earlier. Despite my devil-may-care-Texas-playboy demeanour, I would be able to enjoy such an excursion. Further details revealed that the two hour walking tour would be split into halves. The first hour would be inside the National Gallery of Ireland (the congregation point). The second hour would be in the streets outside. Continue reading Dublin decoded – a guided tour about love→
People who regularly read my musings will know that I have limited patience for marketing and PR guff. For example I make a point to avoid any food establishment that styles itself as an ‘eatery’. Adding an ‘-ery’ to the end of a verb does not a noun make. Likewise a food venue advertising ‘street food’ should – by definition – cook and serve the food outdoors. My little OCD heart demands this. When I saw that a new deli was proclaiming itself part of the ‘rotisserie revolution’ my blood boiled as I pictured the cocaine addled PR hack in some advertising agency coming up with this ‘concept’.
Which brings me to today’s launch of ‘Brand Limerick’ – a €1 million campaign by Limerick City and County Council is to promote the city’s reputation on an international scale. The PR firm M&C Saatchi will be overseeing the campaign with input from the students of the Limerick School for Art and Design. This company has previously done branding campaigns for New Zealand, Abu Dhabi, Malaysia, Georgia and others. Continue reading Brand Limerick – Atlantic edge, European embrace→
When I receive visitors from out of town, I like to take them to a museum or a gallery. Ideally I’d visit Kilmainham Gaol, but this tends to get booked months in advance due to the limited capacity and widespread popularity of the guided tour. When I checked availability for Kilmainham this weekend all tours were fully booked. I had an idea. I would check availability for a guided tour of the 14 Henrietta Street Museum. There was space on the tour so we selected the 2pm Saturday slot. Continue reading 14 Henrietta Street, Dublin→
I have written before about the Fine Gael Minister for Housing, Eoghan Murphy who has overseen the explosion of the homelessness crisis into a national catastrophe (read about him HERE). I’ve also written about the culture of greed and entitlement by elected Fine Gael politician Maria Bailey who upon receipt of legal advice by Minister for Culture Josepha Madigan, tried to fraudulently claim insurance from a hotel when she drunkenly fell off a swing while holding two bottles of booze in her hands (read about her HERE).
Now it is time to focus our attention on an even worse example of corruption in the Fine Gael party – an individual from the Cork North-Central constituency called Dara Murphy, who has spent the last several years with his snout in the trough of taxpayers’ money with the knowledge and approval of his party and its leader Leo Varadkar. He is the human manifestation of a pig from George Orwell’s ‘Animal Farm’. Continue reading Dara Murphy – another Fine Gael hog with his snout in the trough.→
‘Faultline’ is a new site-specific, immersive co-production between ANU and the Gate Theatre. Set in a Georgian building at number 11 Parnell Square East, the audience of twelve is divided into two groups and placed among the performers in a re-imagined gay bar; in the headquarters of the Irish Gay Rights movement in the early 1980s – which was in reality located in a few rooms in a similar building on the other side of the square; and in a cottage (a men’s public lavatory which was how many gay men hooked up with each other in those criminal days.) Continue reading Theatrical: ‘Faultline’→
Playing as part of the Dublin Theatre Festival ‘The Alternative’ is the new production by the Fishamble company. ‘The Alternative’ was the winner of the ‘A play for Ireland’ initiative by Fishamble – this was a two year artist development project for playwrights across the country. From 370 ideas and a short list of six, this play by Michael Patrick and Oisin Kearney has been selected as the chosen Play for Ireland. Continue reading Theatrical: ‘The Alternative’→