It’s Panto season (oh no it isn’t).

Ireland and the UK seem to be the countries in the world with the most unbreakable attachment to the pantomime style of theatre – whereby an old fairy-tale is adapted into a musical comedy for all the family; where the performers onstage interact with the audience; where middle-aged men dress up as pantomime dames; where a young hero or heroine finds true love (with assistance from the audience). Targeted at children, there is plenty of topical, adult humour for the grown-ups. Staged from before Christmas to the New Year, it can be an extremely lucrative endeavour, when for a period of several weeks, there will be two shows daily, where former soap stars and TV entertainers can top up their income, or indeed earn enough to keep them in greasepaint for several months to come. The shows staged tend to be the same – Cinderella; Sleeping Beauty; Puss in Boots; Mother Goose; Peter Pan; Aladdin; The Jungle Book; Jack and the Beanstalk; Hansel and Gretel.

Jack and the Beanstalk

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